Like over 30,000 other Celtic supporters, I travelled through
to Murrayfied in Edinburgh for the League Cup Semi-Final with Hearts. The sun
was shining, the team showed up and the atmosphere was excellent. From my seat
near the halfway line I had a good view of a terrific second half performance
from Celtic who really put their opponents to the sword when the game opened
up. Ryan Christie scored an excellent goal but there were good performances all
over the field; Benkovic strolled through the match like the class player he
is, Scott Sinclair showed flashes of his true self and even the much maligned
Mikael Lustig had a good match.
The fans were in good voice too although the songbook is
drifting back towards a less enlightened time. Maybe it was the opposition,
maybe it’s the lingering effect of the now defunct Offensive Behaviour at
Football Act, but there has been a distinct increase in political chanting at
Celtic games. This is especially true at away games as I noticed on Sunday and
at Kilmarnock recently too. The joyous ‘Beautiful Sunday’ song belted out after
the victory over Rangers earlier in the season has been converted into homage
to the IRA. Songs such as the Boys of the Old Brigade, the Broad Black Brimmer
and Sean South were also aired. Surely we can do better than this? If folk feel
the need to sing these songs then they should be saved for the pub, the home or
other more appropriate venue. This is mostly young people with no memories of
the Troubles and the utter carnage and horror of those years singing such songs
at a Scottish football match. How is this appropriate in 2018?
I saw one online debate where a chap raised the issue and
stating that it took the shine off of a good display for him. He was expecting
to be harangued by those who enjoy the ‘Rebs’ but it seemed to me the majority
agreed with him. Of course for a minority he was a ‘snowflake’ or a ‘soup
taker’ but he raised an issue that is troubling some Celtic supporters. There will always be a minority who couldn’t
care less about the opinions of other fans or the damage this does to Celtic’s
reputation. Nor do they care about the victims and relatives of victims of the
Troubles very much with us still. Nor yet about the youngsters in their midst
listening to them. Like it or not, these songs give the media every opportunity
to play the ‘both sides the same’
card they often do when discussing sectarianism in Scotland.
A few years ago I was at Rugby Park watching Celtic play
Kilmarnock. Kenny Shiels was the Killie boss then and as a percentage of Celtic
fans began singing a modern rebel song, I wondered how many knew that Kenny’s
brother had been killed in the troubles? Yet here he was in a Scottish football
ground listening to supporters singing about the organisation which killed his
brother. Do we really think that’s right? The legacy of those years is very
much with us still. It may be 20 years since the killing stopped but many on
all sides still live with loss and grief. There were awful things done by all
sides and many innocents have never received the justice they’re due. If
healing and reconciliation is ever to have a chance then perhaps the war songs
are better not aired in public, particularly from those with no experience of
the bad days of the past. Of course every community has its stories and its
songs and no one would argue such expressions should be outlawed, merely that
people consider the right time and place to air them.
I come from a traditional Celtic supporting family with roots
both Irish and Scottish. I enjoy the traditional songs as much as anyone but
there is a time and a place and it isn’t in a modern football stadium. My Irish
grandad fought for his country’s freedom but always taught me that all the
people of Ireland had to reach agreement to live together. He would say, ‘You can’t shake hands with a clenched fist.’
He loved the songs he learned in his homeland and would sing the Rose of
Tralee, Kevin Barry or the West Awake at
family parties but if there was what was once called a ‘mixed company’ in the house he’d respectfully avoid any political
or nationalist songs. That was considered decent behaviour then.
I understand the cultural and historic circumstance which
brought the Irish to Scotland and the roll Celtic played in giving that
community pride and hope in a better future. It’s natural to want to celebrate
the club’s Irish roots but we are a much more diverse support these days with
followers from all walks of life, all faiths and none and no one should ever
feel uncomfortable among us. The songs I mentioned earlier aren’t in my opinion
sectarian but for many they are offensive and there are so many good Celtic
songs which could be sung instead.
It’s now 45 years since Jock Stein invaded the terraces at
Stirling Albion to tell supporters that they should keep their songbook focused
on Celtic and not politics. That was in 1972, the bloodiest year of the
Troubles when 479 people were killed and almost 5000 injured in a province with
a population no bigger than greater Glasgow. Here we are in 2018; 20 years
after the Good Friday Agreement, and we’re still talking about what is
appropriate to sing at a football match.
There will be those who will sing what they want regardless
of the damage it does their club’s reputation. There will be those who think politics
and football have always mixed and see no problem with singing any songs. There
are of course, those with a visceral dislike Celtic and use these songs to
legitimise their hatred. There is also,
I believe, a large group of Celtic supporters uncomfortable with it who’d
rather Celtic fans sung Celtic songs. There will also be those who will not be
happy reading the words I’ve written. But do you what? This club belongs to all
of us and each of us has a right to an opinion on the issues which affect us
all.
I know the club would rather not
hear these songs at games as it does damage to the image of our support.
So how about keeping it to Celtic songs and
leave the war songs at the turnstile?